Buddha and Shiva, Lotus and Dragon: Masterworks from the Rockefeller Collection at Asia Society

  • Made in Pakistan, Gandhara area | Head of Buddha, Kushan period, late 2nd–3rd century | Schistose phyllite | 14 1/2 x 7 3/4 x 9 1/4 in. | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.2)
  • Made in Thailand, Buriram Province, found at Prasat Hin Khao Plai Bat II | Bodhisattva Maitreya, 8th century | Copper alloy with inlays of silver and black stone | 38 x 14 1/4 x 10 3/4 in. | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.63)
  • Made in India, Tamil Nadu | Shiva as Lord of the Dance (Shiva Nataraja), Chola period, ca. 970 | Copper alloy | 26 3/4 x 21 1/2 x 10 in. | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.20)
  • Made in India, Tamil Nadu | Parvati, Chola period, 11th century | Copper alloy | 31 3/4 x 12 x 12 in. | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.21)
  • Made in China, reportedly found in Shandong Province | Food Vessel (Gui), Eastern Zhou period, ca. 6th century BCE | Bronze | 12 3/4 x 15 1/2 in. (height including cover, width across handles)| Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.103a,b)
  • Made in China, Jiangxi Province | Flask, Ming period, early 15th century (probably Yongle era, 1403–24) | Porcelain painted with underglaze cobalt blue (Jingdezhen ware) | 18 1/2 x 14 in. (diameter) | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.160)
  • Made in China, Jiangxi Province | Bowl, Qing period, Yongzheng era, 1723–35 | Porcelain painted with overglaze enamels (Jingdezhen ware) | 1 3/4 x 3 7/8 in. (diameter) | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.186)
  • Nonomura Ninsei (active ca. 1646–94) |Tea Leaf Jar, Edo period, mid-17th century | Stoneware painted with overglaze enamels and silver (Kyoto ware) | 12 x 9 1/2 in. (diameter) | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.251)
  • Made in Japan, Saga Prefecture | Two Standing Female Figures, Edo period, ca. 1670–90 | Porcelain painted with overglaze enamels, one figure also with traces of gold (Arita ware, Kakiemon style)| 15 1/2 x 6 x 5 in., 15 1/2 x 6 x 4 3/4 in. | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.239, 1979.240)
  • Made in Korea, South Cholla Province | Foliate Bowl-and-Saucer Sets, Koryo period, early 12th century | Stoneware with glaze | 3 5/8 x 5 3/4 in. (bowls), 1 1/8 x 6 1/4 in. (saucers) | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.193.1-4)
  • Made in Vietnam, possibly Champa | Storage Jar, 15th–16th century | Stoneware with incised design under glaze (Go-Sanh ware) | 13 1/8 x 12 in. | Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection (1979.96)

Available from 2020 through 2021

PRELIMINARY ITINERARY

First venue: March 19 – June 14, 2020
Second venue: July 23 – October 18, 2020
Third venue: December 3, 2020 – February 28, 2021
Fourth venue: April 1 – June 27, 2021

Buddha and Shiva, Lotus and Dragon: Masterworks from the Rockefeller Collection at Asia Society will present sixty-seven masterpieces collected by John D. Rockefeller 3rd and his wife, illuminating the cultures and history of Asia. This important collection underscores art’s capacity to encourage cross-cultural dialogue and influence economic and public policy. The selection of sculptures, bronzes, and ceramics ranges from the late sixth century BCE to the early nineteenth century CE, and originates from Cambodia, China, India, Japan, Nepal, Sri Lanka, Thailand, Tibet, and Vietnam. Highlights include a spectacular Gupta-period Buddha and a Chola-period bronze Parvati from India; an extraordinary bronze gui (food vessel) from China’s Zhou dynasty; a rare seventeenth-century jar by the great Japanese potter Nonomura Ninsei; and an eighth-century bronze Maitreya Buddha from Thailand.

John D. Rockefeller 3rd (1906–1978) and his wife Blanchette Hooker Rockefeller (1909–1992) believed that by building a collection of the highest quality and sharing it with the public, they could educate Americans about the importance and diversity of Asian art, as a means to elevate their understanding of Asian cultures and create bridges to future economic and sociopolitical dialogue and engagement. Sherman E. Lee (1918–2008), an important art museum director and scholar of Asian art, worked with the Rockefellers as an advisor to their collection, and his influence will be addressed throughout this exhibition. The Rockefeller collection was bequeathed to Asia Society in New York City following the death of John D. Rockefeller 3rd in 1978.

Rockefeller played an instrumental role in fostering cultural understanding and cooperation between Asia and America after the Second World War. Early on he was influenced by the collection of Chinese and Japanese art amassed by his parents, John D. Rockefeller, Jr. and Abby Aldrich Rockefeller, and his interest in Asian art was tied directly to his increasing involvement in international politics, particularly relations between Asia and the West. In 1951 he joined the peace mission to Japan led by John Foster Dulles, and two years later he established the Council on Economic and Cultural Affairs, which necessitated frequent travels throughout the region.

A selection of Japanese works reflects the Rockefellers’ working relationship with their art advisor Sherman Lee set against the backdrop of postwar Japan, when political and economic circumstances led to the sale of many privately owned works and provided an unprecedented opportunity for American collectors. Similarly, the superb ceramics and sculptures in the exhibition bring to light the impact of Chinese civil strife and economic distress on the international art market during the late nineteenth and first half of the twentieth centuries, as well as the rise of interest in South Asian, Southeast Asian, and Himalayan art.

BOOKING

For more information, contact Curator Richard P. Townsend at 212.988.7700 ext. 225 or rtownsend@amfedarts.org.

CREDIT

This exhibition is co-organized by the American Federation of Arts and Asia Society Museum.